Juliane Noth shows how art and discussions about the future of ink painting were linked to the reshaping of the country, leading to the creation of a uniquely modern Chinese landscape imagery. Noth offers a new understanding of these experiments by studying them as transmedial practice, at once shaped by and integral to the modern global art world. Publisher: Harvard University, Asia Center Author(s): Juliane Noth Illustration(s): 23 illus., 113 color illus., 2 maps Number of pages: 400 Collection: Harvard East Asian Monographs Publication date: 2022 Dimensions: 253 x 177 x 33 Cover type: Paperback / softback